The Quincy Porter Sonata for Horn and Piano is a hidden gem in the horn’s solo repertoire. It is a demanding work with complex rhythms and numerous meter changes, and it requires good flexibility throughout the horn’s entire range. The first movement opens with a slow introduction before transitioning into an allegro moderato section that fluctuates between a 6/8, 9/8, and 4/8 meter. The movement is rhythmically complex with numerous syncopations and alternating duple and triple feel. The second movement is a slow largo that contrasts nicely to the lively, active surrounding movements. The final movement, like the first, is an energetic allegro with numerous meter changes: 2/4, 3/4, 5/8, 7/8, 8/8, 6/8, and 9/8. Overall, this is a fun, energetic work that challenges the performer’s range and rhythmic skills.
Composer | Porter, Quincy |
Dates | (1897-1966) |
Duration | 15:00 |
Horn Range | C2 to C6 |
Level | Difficult/Intermediate-Advanced |
Clef | Treble Clef |
Techniques | Mute |
Era/Style | 20th Century |
Country/Region | United States |
Accompaniment Available | Piano |
Accompaniment Difficulty | Easy/Moderate |
Movements | Duration | Level | Range |
I. Lento-Allegro moderato | 6:05 | Difficult/Intermediate-Advanced | E3 to Bb5 |
II. Largo espressivo | 3:35 | Difficult/Intermediate-Advanced | F#3 to A5 |
III. Allegro molto | 5:10 | Difficult/Intermediate-Advanced | C2 to C6 |